204. John Adams

(February 2019) I have completed episode 204 of my “opus project.” This edition: JOHN ADAMS. One of the top living American composers, his music has its roots in minimalism but it’s rather hard to categorize, incorporating and mixing several styles of early and late 20th century music. He composed several operas, but since opera’s not my thing, I prefer the orchestral and piano pieces, especially when it takes an ethereal turn.

Favorite piece: Harmonielehre

Favorite opera: Nixon in China

Favorite ambient piece: Light over Water

Compared to expectations: same

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203. Weezer

(February 2019) I have completed episode 203 of my “opus project.” This edition: WEEZER. I just listened to 12 Weezer albums and the only songs I remember are Buddy Holly and the Sweater Song. The fun of their debut album – the right sound with the right attitude at the right moment – serves to accentuate the banality of the following releases, with the most sterile lyrics I’ve heard since I did Foreigner.

Favorite album: Weezer (the Blue Album)

Favorite song: Undone — The Sweater Song

Compared to expectations: ↓

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202. Love

(February 2019) I have completed episode 202 of my “opus project.” This edition: LOVE. The distinctive style of this late 60s band is hard to label — “thespian hippy” is my best attempt. After their masterpiece, Forever Changes, their sound became more conventional for the era. Also noted (for the time) for the racial diversity of their lineup.

Favorite album: Forever Changes

Favorite song: Seven and Seven Is

Compared to expectations: same

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201. Richard Wagner

(February 2019) I have completed episode 201 of my “opus project.” This edition: RICHARD WAGNER. Opera is my least favorite form in classical music, and since opera is Wagner’s specialty, this episode was a grind. But a greatest hits collection of his top overtures and preludes is worth having. The Tannhäuser Overture is one of the most beautiful pieces of music ever.

Favorite piece: Tannhäuser Overture

Favorite opera (for the music): Parisfal

Compared to expectations: ↓

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200. The Mamas and the Papas

(January 2019) I have completed episode 200 of my “opus project.” This edition: THE MAMAS AND THE PAPAS. Groovy, hippy, warm rays of sunshine to bring a smile to your face. And, oh, those harmonies! Their run was brief, but their role in popularizing folk rock was huge.

Favorite album: If You Can Believe Your Eyes and Ears

Favorite song: Got a Feelin’

Special sauce: Mama Cass

Compared to expectations: same

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199. Terry Riley

(January 2019) I have completed episode 199 of my “opus project.” This edition: TERRY RILEY. A (still living) composer of experimental music and pioneer of minimalism, Riley gained fame with works featuring loops and delay effects. Many of his pieces feature Indian musical and jazz elements. A multi-instrumentalist, the majority of his compositions are on keyboard, some of which sound new-agey to the ear. I prefer the early experimental stuff.

Favorite album: A Rainbow in Curved Air

Favorite piece (song): A Rainbow in Curved Air

Favorite live performance: Persian Surgery Dervishes

Favorite soundtrack: Les Yeux Fermés

Favorite later piece: The Cusp of Magic (with Kronos Quartet)

Compared to expectations: ↑

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198. Gang of Four

(January 2019) I have completed episode 198 of my “opus project.” This edition: GANG OF FOUR. The first two albums are great post-punk material. But then they adopt 80s synths and I lose interest, and my interest finds no reason to return on the several unremarkable albums after that.

Favorite album: Entertainment!

Favorite song: Ether

Compared to expectations: ↓

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197. The Beau Brummels

(January 2019) I have completed episode 197 of my “opus project.” This edition: THE BEAU BRUMMELS. Before there was the San Francisco Sound, there was The Beau Brummels. This relatively unknown Bay Area outfit not only earned the distinction as perhaps the first American band to mimic the music of the British Invasion, they also introduced folk rock before the Byrds popularized it.

Favorite album: Triangle

Favorite song: Laugh Laugh

Compared to expectations: same

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196. Aram Khachaturian

(January 2019) I have completed episode 196 of my “opus project.” This edition: ARAM KHACHATURIAN. An Armenian considered one of the top three composers of the Soviet era, Khachaturian’s music is often bold and loud, although he could compose some sweet melodies. Understandably for his era, he also penned some Red Army marches and Odes to Lenin. He may be most famous for two ballets, Spartacus and Gayane, and you will recognize the famous “Sabre Dance” from the latter.

Favorite piece: Symphony #2

Favorite big piece: Spartacus ballet

Favorite little piece in a big piece: Adagio from Gayane

Favorite choral piece: Ode of Joy

Favorite concerto: Cello Concerto in E minor

Favorite piano piece: Piano Sonata

Favorite song: Song about Erevan

Compared to expectations: ↓

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195. Ian MacKaye suite of bands

(December 2018) I have completed episode 195 of my “opus project.” This edition: the IAN MacKAYE suite of bands (MINOR THREAT, FUGAZI and THE EVENS, as well as Teen Idles, Skewbald/Grand Union, Egg Hunt, Embrace, and Pailhead). Minor Threat was my intro to hardcore punk through my college roommate; not really my thing but I grew to appreciate it. Same with Fugazi, although as a local D.C. institution I greatly regret not attending a show. The spare The Evens is a pleasant, and more approachable, surprise.

Favorite Minor Threat song: In My Eyes

Favorite Fugazi album: Red Medicine

Favorite Fugazi song: Arpeggiator

Favorite The Evens album: The Odds

Favorite The Evens song: Timothy Wright

Compared to expectations: same

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