286. Frédéric Chopin

(October 2020) Episode 286 is FRÉDÉRIC CHOPIN. Mr. Piano’s technical wizardry was balanced by delicate textures and melodic harmonies, inventing ways a piano could telling a musical story.  The intimacy of his works contrasts with the over-wrought flourishes that can burden Romantic-era music.  His dedication to composing almost exclusively on piano (avoiding operas, cantatas, lieder, etc.) is commendable and refreshing, and made for an enjoyable episode.

Favorite piece: Piano Sonata #2 (including the famous “Funeral March”)

Favorite small piano piece: Polonaise in A♭ major (“Heroic”)

Favorite orchestral piece: Concerto for Piano and Orchestra No. 2

Compared to expectations: same

285. Bad Brains

(September 2020) Episode 285 is BAD BRAINS.  Ground-breaking and iconic, a D.C. original.  Who would think of combining punk and reggae?  Not surprisingly, I like the early punk material best, and the reggae is good, but the metal phase is a mixed affair (for which I find H.R.’s voice ill-fitting, not unlike Dave Mustaine with Megadeth). 

Favorite album: Bad Brains (Black Dots, the collection of early singles, is the best, but I can’t count it as it’s a compilation)

Favorite song: Don’t Bother Me

Compared to expectations: same

284. Charles Ives

(September 2020) Episode 284 is CHARLES IVES. Working as an insurance executive by day freed him to compose whatever he wanted by night, creating stunning modernist works which did not receive performance and recognition until late in his life.  The early stuff is fairly conventional and there’s a lot of the vernacular (songs, marches, etc.), but his bold, experimental works make him one of my favorite American composers. 

Favorite piece: Symphony #4

Best short piece: The Unanswered Question

Probably would be my favorite if it had been finished: Universe Symphony

Favorite chamber piece: String Quartet #2

Favorite piano piece: Piano Sonata #2

Compared to expectations: same

283. The Soft Machine

(September 2020) Episode 283 is THE SOFT MACHINE.  Not well known, but quite influential as one of the first prog -rock and jazz-rock bands.  This UK outfit started out as a 60s psychedelic band, and their debut album is my favorite. “Third” is one of the definitive prog albums, but they didn’t linger long in that genre, moving on to jazz fusion. There are many spinoffs, but I only did the albums under The Soft Machine name.

Favourite album: The Soft Machine

Best album/magnum opus: Third

Favourite song: Why Are We Sleeping?

Compared to expectations: ↓

282. Ray Charles

Episode 282 is RAY CHARLES.  If you had to describe American music in the form of one person, it would be Ray Charles.  He melded blues, R&B, jazz, and gospel into what we now call soul, helped integrate country, and reached out into pop standards and modern pop. A legend. That said, the albums themselves, especially after the mid-60s, are generally weak sauce.  I recommend a greatest hits collection or, better yet, video of concert performances as his smile and sway light up the venue.

Favorite album: Doing His Thing

Favorite song: What’d I Say

Compared to expectations: ↓

280. Os Mutantes

(August 2020) Episode 280 is OS MUTANTES. What do you get when you combine psychedelic rock, weirdness and Brazilian rhythms? Pure awesomeness. Added bonus: they used their music to subvert the Brazilian military dictatorship.  I’ve known them for a couple decades, but this review confirms them as one of my favorite bands of the 1960s. Amidst lineup changes, they did a couple of prog albums  (not bad) in the 1970s and a couple reunion recordings (just ok) in recent years. 

Favorite album: Os Mutantes

Favorite song: A Minha Menina

Compared to expectations: ↑

279. Bill Monroe

(August 2020) Episode 279 is BILL MONROE. The Father of Bluegrass, so much so that the entire genre is named after his band.  He was also very stern in enforcing orthodoxy of style and form in the genre he created, a dynamic that persists to this day.  It’s interesting to listen to their 1940s singles as they show the transition from standard country to this distinctive sound.  My favorite songs are the machine-gun fire banjo-led jams.

Favorite album: Master of Bluegrass

Favorite song: Bluegrass Breakdown

Compared to expectations: same

278. Franz Liszt

(August 2020) Episode 278 is FRANZ LISZT. Known as both the Greatest Pianist and Greatest Showman of his time. His technical wizardry and force on the piano secure his influential place in musical history, but I wonder whether his reputation as an entertainer serves to inflate his reputation as a composer. Or maybe that’s just my bias against Romantic-era music showing through.  He was very prolific — it’s amazing he had any time left for the ladies — composing in all forms and with countless arrangements of his own and others’ works. 

Favorite piece: Piano Sonata In B Minor

Favorite orchestral piece: Faust Symphony (it’s big!)

Favorite suite: Hungarian Rhapsodies (esp. #2, I prefer the orchestrated versions)

Favorite little piano piece: Ballade #1

Favorite choral work: Hungarian Coronation Mass

Compared to expectations: ↓

277. Dolly Parton

(August 2020) Episode 277 is DOLLY PARTON.  Dolly is an institution. Beyond her success as an entertainer, businesswoman and philanthropist, my take-away here is her strength as a song-writer.  I find her best work comes from the heart, grounded in her East Tennessee roots. Thus I prefer her songs inflected with bluegrass and Appalachian folk, or featuring lyrics from personal experience. Her voice can carry any song, although I admit to cringing when she’s doing pompadoured kitch with Porter Wagoner, pop crossovers, or flag-wrapped patriotic fare.

Favorite album: Little Sparrow

Favorite song: Early Morning Breeze

Favorite periods: early 70s solo, bluegrass trilogy 99-02

Least favorite period: late 70s-80s pop phase

Worst album: For God and Country (a blast of Iraq War jingoism)

Oddest cover: Stairway to Heaven (yes, that one)

Compared to expectations: same