160. George Frideric Handel

(March 2018) I have completed episode 160 of my “opus project,” in which I listen to the complete works of an artist. This edition: GEORGE FRIDERIC HANDEL. I love me some baroque, and I enjoy many Handel works. But this was a tedious effort. So many lengthy operas and oratorios — quite a slog. Prefer the chamber works.

Favorite work: “Water music” suites (HWV 348-350)

Favorite category: violin sonatas

Compared to expectations: same

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159. Jean-Michael Jarre

(March 2018) I have completed episode 159 of my “opus project,” in which I listen to an artist’s full discography. This edition: JEAN-MICHEL JARRE. As a big fan of the golden age of electronic music, JMJ’s 1970s albums have always been in my rotation. Unlike some contemporaries, JMJ’s career did not wholly descend into new age-y drivel (like Tangerine Dream) or wander into vocals (like Mike Oldfield).

Favorite album: Óxygene

Favorite song: Équinoxe 5

Favorite period: 1973-78

Best ambient: Waiting for Cousteau (song)

Compared to expectations: same

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158. Squeeze

(March 2018) I have completed episode 158 of my “opus project,” in which I listen to an band’s full discography. This edition: SQUEEZE. I’ve long been a fan of the clever song-writing of the Difford-Tilbrook collaboration, who created one of the most melodically tuneful outfits from the UK New Wave. The first five albums are great; the 80s and 90s are serviceable but not memorable; the 2015 and 2017 albums are rather catchy.

Favourite album: East Side Story

Favorite song: Is That Love

Most resembles a late-period Paul McCartney album: Cradle to the Grave

Compared to expectations: same

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157. Michael Hedges

(February 2018) I have completed episode 157 of my “opus project,” in which I listen to an artist’s full discography. This edition: MICHAEL HEDGES. I still get amazed by the wizardry of his “violent acoustic” guitar — two-handed hammer-ons, thumping, harmonics, etc. But when he adds vocals it ruins the magic.

Favorite album: Aerial Boundaries

Favorite song: Aerial Boundaries

Worst album: The Road to Return

Compared to expectations: ↓

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155. The Jam

(January 2018) I have completed episode 155 of my “opus project,” in which I listen to an band’s full discography. This edition: THE JAM. It is my shame that I dismissed, even mocked, this band back in the day. But as I grew to avidly embrace the mod sounds of the early Who, early Kinks, Small Faces and the Creation, naturally I came to realize how f-ing awesome The Jam were. Oy!

Favorite album: All Mod Cons

Favorite song: In the City

Favorite cover: David Watts

Compared to expectations: same ↑↓

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154. Public Enemy

I have completed episode 154 of my “opus project,” in which I listen to an band’s full discography. This edition: PUBLIC ENEMY. PE is my favorite rap act; Chuck D is my favorite rapper. Their influence cannot be overstated. They do not suffer from subtlety. And they still bring it (check out their rockin’ 2017 release).

Favorite album: It Take a Nation of Millions to Hold Us Back

Favorite song: Fight the Power

Favorite late-period album: Rebirth of a Nation

Compared to expectations: same

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153. Janis Joplin

(January 2018) I have completed episode 153 of my “opus project,” in which I listen to an artist’s full discography. This edition: JANIS JOPLIN. One of best voices of all-time. Many classic songs, although the albums, with the variety of backing bands, are uneven affairs.

Favorite album: Pearl

Favorite song: Me and Bobby McGee

Favorite song written by Janis Joplin: Move Over

Special sauce: Big Brother and the Holding Company

Compared to expectations: same

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151. Pixies

(December 2017) I have completed episode 151 of my “opus project,” in which I listen to a band’s full discography. This edition: the PIXIES. I don’t know what I was listening to in college instead of the Pixies, but whatever it was was less than the Pixies. Listening in retrospect, their influence can be heard in many places.

Favorite album: Doolittle

Favorite song: Debaser

Compared to expectations: same

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