(September 2022) Episode 440 is THE ASSOCIATION. Sunshine pop with harmonies like a summer breeze. “Windy, “Cherish,” “Never My Love,” were AM rather than FM hits, putting them on the lighter side of my tastes of that time. But there are bits of psychedelia and baroque pop and it’s all 100% groovy. I’m happy to include them in my Shrine to the Greatest Era of Music (1965-69).
(September 2022) Episode 439 is DUANE EDDY. Famous for inventing the iconic “twangy” guitar sound – low strings playing the melody with heavy reverb. Influential to many rock guitarists and spaghetti western soundtracks. But … that twang is all there is. Hundreds of recordings with the same sound overlaid on originals and covers, too often in an easy listening mode.
(September 2002) Episode 438 is NEW YORK DOLLS. Proto Punk + glam = should be in my wheelhouse. But for some reason they’re not, and I can’t put my finger on it. Maybe it’s because Johansen annoys me. They were a phenomenon, that’s for sure.
(September 2022) Episode 437 is OM. Call it stoner metal meditation music. It’s like an equal blend of Pink Floyd’s “Set The Controls For The Heart Of The Sun,” Buddhist monk chanting, and Metallica’s “(Anesthesia) Pulling Teeth.” Try it.
(September 2022) Episode 436 is THE SPENCER DAVIS GROUP. They’re best known as the launching pad for teen phenom Steve Winwood and a couple classic rock radio standards (Gimme Some Lovin’ and I’m a Man). But that’s about it. They traveled a familiar path for second-tier British Invasion acts – R&B, a psychedelic album and some early 70s boogie rock before fading.
(September 2022) Episode 435 is CANDLEMASS, a pioneer of the doom metal genre. But not my preferred flavor of doom metal; I find the operatic NWOBHM-style singing discordant with the low and heavy guitar approach. That’s why my favorite album (From the 13th Sun) is an outlier from their typical sound, more stoner and sludgy, but not surprising since they dedicated it to Black Sabbath. Still, there are some good metal tracks elsewhere, although frequent lineup changes reduce consistency.
(September 2022) Episode 434 is the STAPLE SINGERS and MAVIS STAPLES. This family (patriarch “Pops” plus four siblings, including Mavis) is proof that blues, gospel and soul all share the same DNA. They began as a gospel group, but with a restrained, down to earth feel in contrast to normal gospel fare, grounded in Pops’ Mississippi blues guitar. They transitioned into soul and later funk. Mavis, already an accomplished solo artist, has had a revival in her golden years, with her best albums coming in the last decade.
(September 2022) Episode 433 is THE WOGGLES. I can’t think of a contemporary band that embraces the garage rock sound more than this Atlanta-origin band. The early albums excel at irresistible guitar hooks and frenetic energy, with some rockabilly retro, although it can sometimes come off as bar band fare. Later albums get more sophisticated, expressing a range of guitar rock sounds present in the Bible of the genre, the Nuggets box sets, with grit, fuzz and British inflections. No wonder they are heroes of Little Steven’s Underground Garage. Fun stuff.
(August 2022) Episode 432 is BUDGIE. An early hard rock/heavy metal band from Wales. The clear influence is Black Sabbath, but some have made comparisons to early Rush, both as a power trio and for Burke Shelley’s high register vocals. Tony Bourge’s guitar provides fine hooks and crunch, combining for a great groove with Shelley’s bass and Ray Phillips’ drums. While not well known in the U.S., they proved influential to Metallica, Van Halen and others, not to mention all the NWOBHM bands and boogie rockers.