547. The Temptations

(February 2024) Episode 547 is THE TEMPTATIONS. I had known them as a legendary Motown act through classic mid-60s hits like “My Girl,” “The Way You Do the Things You Do” and “Ain’t Too Proud to Beg,” who endured to the present day on the nostalgia circuit. What I did not know, and was not prepared by have MY MIND BLOWN by, were their “psychedelic soul” albums from 1968-1972 (notably Cloud Nine, Puzzle People and Psychedelic Shack). I knew “I Can’t Get Next To You” and “Papa’s Got a Brand New Bag” but hadn’t connected that this was the same outfit that made “My Girl.” This period is when producer Norman Whitfield took over and guided them to a rougher and funkier sound, as well as more socially conscious themes. Alongside Sly Stone and Funkadelic, this sound made the Temptations a big influence on funk and 70s soul. Love this stuff. I am a sucker for falsetto, so I highlight Eddie Kendricks, one of the best and one of my favorites (along with Curtis Mayfield, Phillip Bailey and Prince). Amidst lineup changes, they kept pumping out albums through the decades following R&B trends, but never recapturing the magic of their peak. The Temptations are around today, still led by founder Otis Williams, the last original member.

Favorite album: Psychedelic Shack

Favorite song: I Can’t Get Next To You

Compared to expectations: ↑

Recommendation: Get those “psychedelic soul” albums referenced above, but their earlier “classic 5” era albums are very good too, such as Getting’ Ready and The Temptations with a Lot o’ Soul

523. The Isley Brothers

(September 2023) Episode 523 is THE ISLEY BROTHERS. You might know them best for the classics “Shout” and “Twist and Shout,” prime examples of how gospel’s call-and-response helped define soul and rock. These late 50s recordings were just the beginning of a six-decade career of six brothers from Cincinnati, in various combinations, which is still going. They covered all the styles through that span: early R&B, soul, funk, disco, smooth R&B. My favorite period is 1969-75, their peak of funky soul, with hits like “It’s Your Thing” and “That Lady.” Everything from the 1980s on is not my thing. I commend their 1971 album “Givin’ It Back.” After a decade of watching White artists cover their material, they flip it by recording songs by Dylan, Stills, Young and Taylor. And they do it great.

Favorite album: 3+3

Favorite song: I Turned You On

Favorite cover song: Summer Breeze

Compared to expectations: same

Recommendation: Try those eight albums from 1969-75, or a greatest hits collection; make sure it includes the songs above and the funkalicious “If He Can You Can” and “The Heat Is On.”

506. Tina Turner

(June 2023) Episode 506 of the “opus project” is TINA TURNER, including her work with IKE & TINA, begun after her recent passing.  Few if any performers can match her dynamism on stage and in voice; I had not fully appreciated her powerful delivery before this episode.  Add to this her personal story of overcoming Ike’s abuse to become an international star, reaching a pinnacle with her mid-1980s hits. While these songs are how my generation knows her, my favorite stuff is the Ike & Tina albums from 1970-73.  It’s fantastic gritty, funky soul.  (Their earlier R&B material is less interesting.)   

Favorite album (Ike & Tina): Feel Good

Favorite album (Tina solo): Acid Queen

Favorite song (Ike & Tina): I Like It

Favorite song (Tina solo): Whole Lotta Love (yeah, it’s a cover, but what she does with it is funkalicious)

Compared to expectations: same

Recommendation: Those early 70s albums are essential funk/soul

466. Chuck Brown

(January 2023) Episode 466 is CHUCK BROWN (and the Soul Searchers). Known as the “Godfather of Go-Go.”  Go-go is a subgenre of funk and soul that became popular in the Washington, DC, area from the mid-70s.  Its main feature is a particular rhythmic pattern, which you will recognize as the beats pounded by the guys who play the paint buckets on downtown DC streets.  Brown didn’t have much national fame but was a big deal in the DC scene. His hit “Bustin’ Loose” is played after wins by the Washington Capitals and Wizards, and after home runs by the Nationals.

Favorite album: We the People (released under “The Soul Searchers”)

Favorite song: Ashley’s Roachclip

Compared to expectations: same

Recommendation: I prefer the first two early 70s albums of classic funk, but the 79-80 albums are also funky good

401. Barry White

(April 2022) Episode 401 is BARRY WHITE. “If chocolate fudge cake could sing, it would sound like Barry White” – the baritone-bass voice that catalyzed countless romances. Smooth, soulful, iconic. 

Favorite album: Stone Gon’

Favorite song:  Never, Never Gonna Give Ya Up

Favorite instrumental (could it get any more 70s in here?): Love’s Theme (credited to Love Unlimited Orchestra)

Compared to expectations: same

Recommendation: essential in any spin of 70s soul

391. Isaac Hayes

(March 2022) Episode 391 of the “opus project” is ISAAC HAYES.  You can’t top his early 70s albums for sensuous soul and hot funk. Man I love that stuff. Not to mention his contributions to southern soul at Stax, development of disco, soundtracks (Shaft!) and as an actor, and a Chef.

Favorite album: Black Moses

Favorite song: Good Love

Best enjoyed: Making sweet love by the fire, with Chocolate Salty Balls

Compared to expectations: same

Recommendation: essential funk and sexy soul

268. Sly and the Family Stone

(June 2020) Episode 268 is SLY AND THE FAMILY STONE. Look up “ground-breaking” in the dictionary and there’s a photo of this band. The music synthesized trends of the late 60s — soul, rock, psychedelic and the San Francisco Sound — into a rocket of sound, with timely social commentary, reinforced by their composition as first fully integrated rock group. But Sly’s most lasting musical contribution may be as one of the Founders of Funk.  As with anything, best when funky.

Favorite album: Stand!

Favorite song: Stand!

Best funk song: Loose Booty (just ask the Beastie Boys)

Compared to expectations: same

Stand-slyfam

265. Curtis Mayfield

(May 2020) Episode 265 is CURTIS MAYFIELD including his time in THE IMPRESSIONS.  I dig late 60s-early 70s soul/funk, a sound Mayfield helped create and mastered. That sweet falsetto is so distinctive.  I began with his time in The Impressions to get a full sense of his evolution from R&B into soul and the strong social commentary that characterized his work.  His quality dropped off after Superfly, into banal disco and then bland 80s adult contemporary soul.

Favorite album: Superfly

Favorite song: Freddie’s Dead

Compared to expectations: same

superfly

 

 

259. Stevie Wonder

(April 2020) Episode 259 of the “opus project” is STEVIE WONDER.  Everybody loves Stevie and knows his hits.  But you should dig deep into his albums, particularly from his “classic” period of 1972-76, to really appreciate his (inner)vision and talent as a song composer and multi-instrumentalist.  Those albums are essential listening — the diversity and mixing of styles, the integration of synthesizers, the social commentary.  His early teenage prodigy recordings are dispensible; the late-60s, early 70s albums a mixed affair, and the 80s pop cringe-worthy.

Favorite album: Innervisions

Masterpiece: Songs in the Key of Life

Favorite song: Superstition

Worst song: I Just Called To Say I Love You

Compared to expectations: ↑

Steviewonder_innervisions

218. James Brown

(May 2019) Episode 218 of my “opus project” is JAMES BROWN. The Godfather of Soul, the Father of Funk, the Supreme Showman — all this is true. But if you groove out to James Brown — and I recommend that you do — find a greatest hits album and avoid the regular releases. There is a LOT of filler among and within albums: recycled, regurgitated, rerecorded material, even whole albums without any discernible JB content other than his name on the cover. This was another looooong one (63 albums). As with anything, best when funky.

Favorite album: There It Is

Favorite song: Get Up (I Feel Like Being a) Sex Machine

Worst album (tie): The Original Disco Man, The Merry Christmas Album

Favorite period: 1969-73 (most funky)

Special sauce: Bootsy and Catfish Collins

Compared to expectations: same

james brown