(June 2018) I have completed episode 171 of my “opus project,” in which I listen to the complete works of an artist. This edition: STEVE REICH. As a devotee of minimalist music, of course I am a fan of one of its founding fathers, arguably one of America’s greatest living composers. I especially appreciate Reich’s early experimentation with tape loops and phasing, as they have had such a wide influence across a wide range of musical styles. He has kept innovating with African polyrythms, unique orchestrations, mixed-media operas, religious themes, etc.

Favorite Piece: Music for 18 Musicians

Favorite orchestra-ish piece: The Four Sections

Favorite tape loop: Come Out

Favorite use of amplified noise to explore a concept: Pendulum Music

Compared to expectations: same

(July 2016) I have completed phase 89 of my “opus project” in which I listen to the complete works of an artist. This episode: PHILIP GLASS, perhaps the greatest living composer. I am drawn to his early/mid minimalist work, although there is much to offer in the variety in his compositions, including in classic forms, vocal works, and film scores. I would be curious to see a scan of a person’s brain waves when he listens to Glass, because I sense it elicits a different emotional response than other forms of music; I can’t describe it.

Favorite album: Dancepieces

Favorite “song”: In the Upper Room Dance IX

Favorite Symphony: #3

Favorite opera: Akhenaten

Favorite soundtrack: Koyaanisqatsi

Favorite piece of severe minimalism: Music in Twelve Parts (his masterpiece, I would argue)

Compared to expectations:  same