(May 2023) Episode 494 is RADIO BIRDMAN. An early and energetic punk band from Australia. Their version of punk derived from the garage-band lineage, particularly the proto-punk sounds of the Stooges and MC5, which is not a surprise given guitarist Deniz Tek grew up in Michigan. They didn’t last long (there was one reunion album) but what they did was great.
(May 2023) Episode 491 is KATATONIA. A band from Sweden named Katatonia should give reasonable assurance of quality death metal. Alas, not at all. The first couple albums are decent doom metal. But then the singer had to give up the growl and they adopted a more accessible but rather mundane rock sound, with album after album of mushy prog metal that doesn’t deserve the label “metal.” So boring.
(April 2023) Episode 489 is THE FLAMING LIPS, the durable indie/alt band out of Oklahoma that constantly reinvents itself led by the creative weirdness of Wayne Coyne. Their initial sound was very much 80s college radio, evolving into fuzzy guitar-driven psychedelic music, when they got their 15 minutes of pop fame through MTV’s play of “She Don’t Use Jelly” and a guest appearance at the Peach Pit on 90210. Starting in 1999, though, they shelved the guitars in favor of synths, creating a lush and heavily-processed sound, which bored me. Coyne’s weak voice, while fitting on some songs, is a liability in the heavier tunes, although this is “fixed” by the later processing, for better or worse. Kudos to them for recording (with mixed success) reinventions of Dark Side of the Moon and Sgt. Pepper’s, a quadrophonic experiment, several concept albums, and even a Christmas disc.
(April 2023) Episode 486 is FLOWER TRAVELLIN’ BAND, an excellent Japanese psychedelic group from the late 60s/early 70s. They started out as a female-fronted band doing covers of UK and US rock songs (something my parents told me they heard a lot of when they visited Tokyo in the 60s) including, ambitiously, 21st Century Schizoid Man, but were mostly notable for two album covers in which all band members were naked. They followed with three great psychedelic albums with tinges of prog and proto-metal. It’s like a mix of Cream, King Crimson, Iron Butterfly and Rush’s first album, but FTB owned their own sound, which influenced others.
(April 2023) Episode 484 is LYNYRD SKYNYRD, begun after the death of founder Gary Rossington. I do love me some southern rock. They came out of the gate with songs ready-made for classic rock radio where they dominated and presumably still do. Catchy, but lacking the soulfulness of the Allman Brothers, the gold standard of the genre. The plane crash survivors reunited years later to put out nine albums of bland material, resembling a bar band with a famous name, and cultivating an image with Confederate flags and titles like “God and Guns.” I try to separate the art from the artist, but eww.
(March 2023) Episode 483 of the “opus project” is MONSTER MAGNET. I didn’t know exactly what I was expected, but overall what I got what less than that. However, the first three albums are a fantastic run of space rock, a mix of Hawkwind, Spaceman 3 and Alice in Chains. But in the mid-90s they dispensed with the fun insanity and switched (sold out?) to a more radio/music video friendly hard rock sound, which bored me for seven albums. Their most recent two albums mark somewhat of a return to the spacey sound.
(MArh 2023) Episode 480 is GONG GONG GONG 工工工. This is a Beijing-based duo (one from Hong Kong, one from Canada) who turn amplified busking into a surprisingly mesmerizing distorted groove. Inversely, the guitar keeps the rhythm while the bass does the melodic work, with occasional vocals that give a regional flavor, done in Chinese (I can’t tell if it’s Mandarin or Cantonese) in the pentatonic style. It’s primitive but it captures you – that’s the essence of rock n’ roll, right?
(February 2023) Episode 475 is JAPANDROIDS, an indie guitar/drum duo from Vancouver. My feeling about them is this: the teens who thought they were punk because they listened to Blink 182 grew up to be the Millennials who assumed they were still edgy/cool by liking Japandroids a decade later. I wanted to like this band, and I appreciate the energy, but it comes off as annoying hipster-fuel. So, Millennial.
Episode 474 is LA COLONIE DE VACANCES, a collective of four French bands PNEU, MARVIN, ELECTRIC ELECTRIC and PAPIER TIGRE. I didn’t know what to label this music until I came upon the term “math rock,” essentially the intersection of prog rock and indie rock, featuring irregular rhythms, guitars that eschew chords, hyperactive drumming and avoidance of melody. King Crimson would be the godfather of math rock. Among the groups, Pneu is a raw power trio, Papier Tigre features vocals, Electric Electric is techno-focused and Marvin is aggressive and techno-rhythmic. When they get together live as La Colonie de Vacancies the four bands arrange themselves in a quad and play at each other in controlled chaos. Sounds cool.
(February 2023) Episode 473 is THE DAMNED. Known in the punk pantheon for being the first UK punks to issue a record and to tour the United States. Their first album is superlative, drawing relatively more from the garage rock antecedents of punk. Can’t praise it enough. But it goes off the rails quickly: a couple ok post-punk albums and then eight blah rock records – it’s soooo boooring.
Opus Project 