571. The Hollies

(May 2024) Episode 571 of the is THE HOLLIES. I have tended to discount British Invasion bands that were not among the Big Four, as but in the recent episode on Dave Clark Five, I realize my mistake with The Hollies too. I was surprisingly pleased to learn they are far more than the familiar handful of hit singles and for being launching pad for Graham Nash. Their best and most distinctive feature is the top-notch harmonies. Their arc is a familiar one: initial albums featuring R&B covers; blossoming when they start recording original material, including the obligatory 1967 psychedelic album; flowing into the 1970s with power pop and soft rock, enjoyable but not as good as before Nash left; then a slide into blah in the late 1970s, 1980s and 2010s. They always stayed on the lighter side of pop-rock, never getting adventurous like their more famous peers. And they’re still around today with two original members, and two others still alive but not with the group.

Favourite album: Evolution

Favourite song: Bus Stop

Compared to expectations: ↑

Recommendation: The four albums from Would You Believe (1966) to Butterfly (1967), although you’ll also want a greatest hits disc to capture Bus Stop, Dear Eloise, Long Cool Woman in a Black Dress, and The Air That I Breathe.*

* Fun fact: As noted in my Connections page, the chords from the verses in “The Air That I Breathe” (1972) were lifted by Radiohead into “Creep” (1992), and later used by Lana Del Ray in “Get Free” (2017) and in the title song “Red Swan” from the third season (2018) of the anime series “Attack on Titan.”

544. Lana Del Rey

(January 2024) Episode 544 is LANA DEL REY, another leap out of my comfort zone to explore a contemporary popular artist, one that my daughters would listen to. Not knowing her music, I did have a sense she was independent and a little saucy (as evidenced by the F-word in an album title) and not a corporate cookie-cutter pop star, which is something. And so she is. Lizzie Grant (her real name) has a great voice and is a talented songwriter, melodically and lyrically. What I had not expected was how consistently emo and languid her songs are. “Sadcore” I’ve seen it called. I don’t mind emo and languid in doses, but not full albums of it. On the recordings her voice is highly processed and layered, which I know is the way things are made now, but to me it erodes the authenticity that is otherwise central to the lyrical content.

Favorite album: Norman Fucking Rockwell

Favorite song: A&W

Compared to expectations: ↓

Recommendation: She’s got 52 million Spotify followers, so that tells you a lot. I’ll probably listen in to her new releases because she’s got the talent to do something unusual.

333. The Bee Gees

(May 2021) Episode 333 is the BEE GEES. I divide their music into four phases: (1) 60s baroque/psychedelic pop, (2) early-70s soft rock, (3) late-70s disco, and (4) 80s-90s pop.  It is unfair to dismiss them as a flash-in-the plan disco outfit because of the breadth of their long recording and performing career, and their songwriting and harmonizing talents.  Plus, they did disco really well. My favorite is the late 60s stuff.

Favorite album: Bee Gees’ 1st

Favorite song: Every Christian Lion Hearted Man Will Show You

Best overall album: Odessa

Best soft rock period album: To Whom It May Concern

Best disco period album: Saturday Night Fever soundtrack

Favorite disco period song: Nights on Broadway

Best pop period album: This Is Where I Came In

Compared to expectations: same

250. The Beach Boys

(February 2020) Episode 250 of the “opus project” is THE BEACH BOYS, a band whose popularity and influence need no description.  I divide their recording career into four chapters:

  1. Surf music (62-65) (the perfect period piece worth an occasional dip)
  2. Pet Sounds and Smile session remnants (66-67) (pure magic; a must-listen)
  3. Struggle and transition (68-73) (trying to find their voice amid a changing musical scene and Brian’s troubles)
  4. Phoning it in/running on fumes (76-onward) (avoid at all costs)

It may seem odd I waited so long to get to them, but that’s because I knew two-thirds of their recordings were crap (but I listened to them anyway).  Special mention goes to Brian’s (solo) completion of Smile in 2004; it’s a masterpiece.

Favorite album: Pet Sounds

Favorite song: God Only Knows

Close second: Good Vibrations

Favorite surf-era song: Help Me Rhonda

Worst album (among many): L.A. (Light Album)

Special sauce: Brian Wilson

Compared to expectations: same

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170. Leonard Cohen

(June 2018) I have completed episode 170 of my “opus project,” in which I listen to an artist’s full discography. This edition: LEONARD COHEN. He is a legend. And yet, I can’t get much beyond meh with much of his work. As a poet, his lyrics are the heart of his music. But since lyrical content is the last thing I listen to in music, I am missing the depth of appreciation. I prefer the earlier folk material, but also the last sparse, dark recordings. One interesting observation is how the pitch of his voice drops with each album, from medium-high register on the first albums to nearly inaudible depths by the final ones.

Favorite album: Songs of Love and Hate

Favorite song: Suzanne

Compared to expectations: ↓

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146. Alan Parsons Project

(November 2017) I have completed episode 146 of my “opus project,” in which I listen to a band’s full discography. This edition: ALAN PARSONS PROJECT (plus Alan Parsons solo).   Few have embraced the concept album as avidly as these guys. Some of the techno-rock instrumental tracks are of interest, but the rest has no contemporary value.   I listen so you don’t have to.

Favorite album: The Turn of a Friendly Card

Favorite song: Breakdown

Compared to expectations: same

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140. The Eagles

(October 2017) I have completed episode 140 of my “opus project,” in which I listen to a band’s full discography. This edition: the EAGLES. When I did my review of Fleetwood Mac, I could understand how they became Gods of 70s Soft Rock. With this retrospective, I do not get why the Eagles attained the same status. It’s an interesting case study in how to make millions out of mediocrity.

Favorite album: Hotel California

Favorite song: Hotel California

Favorite member: Joe Walsh

Compared to expectations: same

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119. Fleetwood Mac

(April 2017) I have completed episode 119 of my “opus project,” in which I listen to a band’s full discography. This edition: FLEETWOOD MAC. Remember that they put out eight albums before becoming the Gods of Soft Rock after Buckingham and Nicks joined, first as a pure blues band, then blues-rock, then early-70s pop rock.  The Rumours album is remarkable: 9 of the 11 tracks got radio play from what my ears tell me.

Favourite album: Rumours

Favourite song: Oh Well

Worst album: Time

Special sauce: Christine McVie

Compared to expectations: same

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81. Crosby Stills & Nash (& Young)

(April 2016) I have completed episode 81 of my “opus project,” in which I listen to a band’s complete discography. This edition: CROSBY STILLS & NASH (& YOUNG), plus CROSBY-NASH. Their first two albums are classics, so much so that my cassette tape wore thin back in the day. But there is no need to listen to anything after those. No one has gotten as much mileage off the fumes of a 1960s heyday as these guys (excepting Neil Young, who still brings it).

Favorite album: Crosby Stills & Nash

Favorite song: Helplessly Hoping

Worst Album: American Dream

Special sauce: Neil Young

Compared to expectations:↓

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