555. The Neville Brothers

(March 2024) Episode 555 is THE NEVILLE BROTHERS. This logiclly follows my recent episode on The Meters, which featured Art and Cyril Neville. In 1977 they joined Aaron and Charles to form this eponymously named unit. Each brother in this talented family had their own musical careers long before, during and after. But assembled together they created an iconic group with New Orleans-flavored funk, soul and R&B. This episode covers their studio albums, which weren’t many, and a few live performances, but it still feels incomplete given the span of each brother’s work. I’ve always loved Aaron’s fluttering tenor and his classic mid-60s song “Tell It Like It Is.”

Favorite album: Fiyo on the Bayou

Favorite song: Yellow Moon

Compared to expectations: same

Recommendation: Find some of their live concert performances, which show the energy and interaction.

547. The Temptations

(February 2024) Episode 547 is THE TEMPTATIONS. I had known them as a legendary Motown act through classic mid-60s hits like “My Girl,” “The Way You Do the Things You Do” and “Ain’t Too Proud to Beg,” who endured to the present day on the nostalgia circuit. What I did not know, and was not prepared by have MY MIND BLOWN by, were their “psychedelic soul” albums from 1968-1972 (notably Cloud Nine, Puzzle People and Psychedelic Shack). I knew “I Can’t Get Next To You” and “Papa’s Got a Brand New Bag” but hadn’t connected that this was the same outfit that made “My Girl.” This period is when producer Norman Whitfield took over and guided them to a rougher and funkier sound, as well as more socially conscious themes. Alongside Sly Stone and Funkadelic, this sound made the Temptations a big influence on funk and 70s soul. Love this stuff. I am a sucker for falsetto, so I highlight Eddie Kendricks, one of the best and one of my favorites (along with Curtis Mayfield, Phillip Bailey and Prince). Amidst lineup changes, they kept pumping out albums through the decades following R&B trends, but never recapturing the magic of their peak. The Temptations are around today, still led by founder Otis Williams, the last original member.

Favorite album: Psychedelic Shack

Favorite song: I Can’t Get Next To You

Compared to expectations: ↑

Recommendation: Get those “psychedelic soul” albums referenced above, but their earlier “classic 5” era albums are very good too, such as Getting’ Ready and The Temptations with a Lot o’ Soul

523. The Isley Brothers

(September 2023) Episode 523 is THE ISLEY BROTHERS. You might know them best for the classics “Shout” and “Twist and Shout,” prime examples of how gospel’s call-and-response helped define soul and rock. These late 50s recordings were just the beginning of a six-decade career of six brothers from Cincinnati, in various combinations, which is still going. They covered all the styles through that span: early R&B, soul, funk, disco, smooth R&B. My favorite period is 1969-75, their peak of funky soul, with hits like “It’s Your Thing” and “That Lady.” Everything from the 1980s on is not my thing. I commend their 1971 album “Givin’ It Back.” After a decade of watching White artists cover their material, they flip it by recording songs by Dylan, Stills, Young and Taylor. And they do it great.

Favorite album: 3+3

Favorite song: I Turned You On

Favorite cover song: Summer Breeze

Compared to expectations: same

Recommendation: Try those eight albums from 1969-75, or a greatest hits collection; make sure it includes the songs above and the funkalicious “If He Can You Can” and “The Heat Is On.”

506. Tina Turner

(June 2023) Episode 506 of the “opus project” is TINA TURNER, including her work with IKE & TINA, begun after her recent passing.  Few if any performers can match her dynamism on stage and in voice; I had not fully appreciated her powerful delivery before this episode.  Add to this her personal story of overcoming Ike’s abuse to become an international star, reaching a pinnacle with her mid-1980s hits. While these songs are how my generation knows her, my favorite stuff is the Ike & Tina albums from 1970-73.  It’s fantastic gritty, funky soul.  (Their earlier R&B material is less interesting.)   

Favorite album (Ike & Tina): Feel Good

Favorite album (Tina solo): Acid Queen

Favorite song (Ike & Tina): I Like It

Favorite song (Tina solo): Whole Lotta Love (yeah, it’s a cover, but what she does with it is funkalicious)

Compared to expectations: same

Recommendation: Those early 70s albums are essential funk/soul

501. The Four Tops

(June 2023) Episode 501 is THE FOUR TOPS. Motown superstars, their hits have become indelible parts of our culture, powered by the songwriting giants of Holland-Dozier-Holland.  They’re also remarkable for their durability, a foursome from high school that lasted decades. Not to detract from their signing talents, the Four Tops do feel like a corporate product of the label, at least in comparison to artists like Marvin Gaye and Stevie Wonder who branched off toward their own unique and creative sounds. The Four Tops kept it up through the 70s and 80s, but their treatment of funk and disco lacked spark and edge.

Favorite album: Reach Out

Favorite song: Reach Out I’ll Be There

Favorite post-Motown album: Main Street People (1973)

Compared to expectations: same

Recommendation: A collection of their greatest hits is enough

466. Chuck Brown

(January 2023) Episode 466 is CHUCK BROWN (and the Soul Searchers). Known as the “Godfather of Go-Go.”  Go-go is a subgenre of funk and soul that became popular in the Washington, DC, area from the mid-70s.  Its main feature is a particular rhythmic pattern, which you will recognize as the beats pounded by the guys who play the paint buckets on downtown DC streets.  Brown didn’t have much national fame but was a big deal in the DC scene. His hit “Bustin’ Loose” is played after wins by the Washington Capitals and Wizards, and after home runs by the Nationals.

Favorite album: We the People (released under “The Soul Searchers”)

Favorite song: Ashley’s Roachclip

Compared to expectations: same

Recommendation: I prefer the first two early 70s albums of classic funk, but the 79-80 albums are also funky good

434. The Staple Singers and Mavis Staples

(September 2022) Episode 434 is the STAPLE SINGERS and MAVIS STAPLES.  This family (patriarch “Pops” plus four siblings, including Mavis) is proof that blues, gospel and soul all share the same DNA. They began as a gospel group, but with a restrained, down to earth feel in contrast to normal gospel fare, grounded in Pops’ Mississippi blues guitar. They transitioned into soul and later funk. Mavis, already an accomplished solo artist, has had a revival in her golden years, with her best albums coming in the last decade.

Favorite Staple Singers album: Freedom Highway

Favorite Mavis album: One True Vine

Favorite Staple Singers song: John Brown

Favorite Mavis song: Can You Get To That

Compared to expectations: ↑

Recommendation: try the mid-60s albums for some good soul and sweet harmonies

422. Sam & Dave

(July 2022) Episode 422 is SAM & DAVE. A top soul act with so many songs that have become American standards. The duo format, Sam high and Dave low, brought the call-and-response style over from gospel. It’s not my favorite soul, but it is still very good.

Favorite album: Hold On I’m Comin’

Favorite song: Hold On I’m Comin’

Compared to expectations: same

Recommendation: no soul playlist should do without

418. Otis Redding

(June 2022) Episode 418 is OTIS REDDING. Indisputably one of the top soul voices of all time, with a voice that could equally evoke happiness and heartache.  He died young, so all his recordings were in the mid-60s golden age of soul. While it would have been interesting to hear what he would have done as soul evolved in the 1970s, it means all his music hits that classic tone.

Favorite album: Otis Blue: Otis Redding Sings Soul

Favorite song: Hard to Handle

Compared to expectations: ↑

Recommendation: a must-have for any soul playlist

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408. Wilson Pickett

(May 2022) Episode 408 of the “opus project” is WILSON PICKETT. One of my favorite soul singers; his voice has a right level of rawness that feels close to the soul ideal. The songs in his late 1960s prime are funky and danceable without resorting to schlock or saccharine. After the early 1970s the output becomes sporadic and forgettable.

Favorite album: The Exciting Wilson Pickett

Favorite song: Land of 1000 Dances

Compared to expectations: ↑

Recommendation: a must-have for any soul playlist