478. Rebecca Clarke

(February 2023) Episode 478 is REBECCA CLARKE. A British and later American composer and violist of the early 20th century, she was a ground-breaking woman in both professions. She didn’t have a large body of work, and many compositions were discovered after her death which caused renewed interest in her work. She specialized in chamber pieces featuring her viola, which are excellent, as well as several vocal works.

Favourite piece: Sonata for viola and piano

Compared to expectations: ↑

Recommendation: I think you’ll like the chamber works

476. Samuel Barber

(February 2023) Episode 476 of the “opus project” is SAMUEL BARBER, one of the best-known American composers of the 20th century.  Many of you will know him from his “Adagio for Strings” (made famous in the movie Platoon), arguably his most emotionally resonant work. He get some critics’ sneer for being conventional in an era where his peers were emphasizing the opposite, but he does dip his toes into dissonance and tonal experimentation.

Favorite piece: Adagio for String

Favorite piano piece: Piano Sonata

Favorite Opera: Anthony and Cleopatra

Compared to expectations: same

Recommendation: won’t blow your mind, but you also can’t really go wrong

469. Michael Gordon

(January 2023) Episode 469 of the “opus project” is MICHAEL GORDON. A contemporary composer and one of the co-founders of the Bang on a Can collective (with wife Julia Wolfe of episode 347 and David Lang episode 453).  Styles include dissonance, minimalism, unusual instrumentation (2x4s), reinterpretations of classic works, pop culture. There is a lot of variety to keep you interested.  Some of his earlier works featured rock guitar, and he emphasizes multimedia works and unusual operas.

Favorite piece: Trance

Favorite orchestral piece: Dystopia

Favorite large ensemble piece: Rushes

Favorite piece with guitar: Thou Shalt!/Thou Shalt Not!

Compared to expectations: same

Recommendation: he is worth checking out; a lot of pieces are available as embedded on his website

455. Ethel Smyth

(December 2022) Episode 455 is ETHEL SMYTH. In addition to the structural reasons that women are almost absent from classical repertoires, the ones who did compose got their works dismissed as not serious. UK-born Ethel Smyth suffered this, but persevered, composing a solid body of varied works – opera, orchestral, chamber, vocal pieces. She never settled on one style but that also makes it interesting. She was also politically active as a feminist, and her “March of the Women” became an anthem for the movement.

Favourite piece: String quartet in E minor

Compared to expectations: same

Recommendation: not ground-breaking but worth a listen

453. David Lang

(November 2022) Episode 453 is DAVID LANG. A contemporary, New York-based composer and co-founder of the Bang on a Can collective (with Julia Wolfe of episode 347).  His early works seem generally minimalist/post-minimalist, but he prolifically composes in a diversity of styles and forms. From standard string arrangements and choirs to a roomful of broken instruments and distorted guitar duos. From ballet and opera to film soundtracks and small experimental pieces.

Favorite album/large ensemble piece: The Passing Measures

Favorite orchestral piece: Concerto (World to Come)

Favorite vocal piece: The Writings

Favorite violin piece: Killer

Favorite guitar piece: Warmth

Compared to expectations: ↑

Recommendation: many works have been published as album recordings so they are easy to get access to

444. Missy Mazzoli

(October 2022) Episode 444 of the “opus project” is MISSY MAZZOLI. A contemporary, New York-based composer of chamber and orchestral works and, more recently, operas.  Her works are inventive, never settling on one style, with sounds that can be both jagged and liquid.  Mazzoli also brings in electronics and distorted guitar, giving a sort of indie rock vibe to some compositions.

Favorite piece: Violin Concerto (Procession)

Favorite album: Cathedral City

Favorite chamber piece: Magic With Everyday Objects

Favorite vocal piece: Song for Mick Kelly

Favorite solo instrumental piece: Dissolve, Oh My Heart

Favorite opera: Songs from the Uproar

Compared to expectations: ↑

Recommendation: spend some time with her music

423. Judith Weir

Episode 423 is JUDITH WEIR. A contemporary British composer who serves as the first female Master of the Queen’s Music; for example, she composed the anthem for the Platinum Jubilee. Unlike most contemporaries her style and form are fairly conservative, but I find a lot that is enjoyable.  She has penned several operas and parochial songs; I like the chamber pieces best.

Favourite piece: Music for 247 Strings

Favourite chamber piece: Piano Quartet

Favourite choral piece: Ascending into Heaven

Favourite violin piece: Atlantic Drift

Compared to expectations: ↓

Recommendation: interesting but not captivating

419. George Crumb

(June 2022) Episode 419 is GEORGE CRUMB. A contemporary American composer (he died earlier this year) known for demanding techniques, both vocal and instrumental, in experimental and avant-garde forms. The far-out nature of his compositions is evidenced in his particular style of notation (see below).  It can be an acquired taste, but I enjoy listening to those who expand boundaries.

Favorite piece: Star Child

Favorite orchestral piece: Variazioni

Favorite chamber piece: Sonata for Solo Cello

Favorite piano piece: Metamorphoses, Book II

Compared to expectations: same

Recommendation: not for everyone, but if you like to challenge yourself

413. Nkeiru Okoye

(June 2022) Episode 413 is NKEIRU OKOYE. A contemporary composer mostly of vocal works, including an opera, theatrical pieces and song cycles. A main theme of her works is the African-American experience, both contemporary and historical.  While I’m not a fan of the operatic style, I liked the subject matter as well as the chamber works.

Favorite piece: Harriet Tubman, When I Crossed That Line To Freedom

Favorite chamber piece: Movements for String Quartet

Favorite orchestral piece: Voices Shouting Out

Compared to expectations: ↓

Recommendation: worth a listen